To incorporate that sense of bonding with the beyond, Duy and his team at Duy Le Architects decided to use lots of glass and mirrors to create duplicating illusions throughout the space.

“At some specific angles, an infinite view can be seen within the house,” he says. “Some details in the house are only half-designed and once reflected by the mirror, they will reveal the complete pattern.”

The top floor hosts a Catholic altar for linkage with ancestors, and an extra bedroom upstairs further hints at the Coco theme with a solitary guitar positioned in the corner.

exterior

The entire exterior facade is composed of curved glass bricks in a nod to the eternal waves of the ubiquitous waterways intersecting the Sóc Trăng region. They also provide an open and airy feel, allowing the indoor spaces to flow seamlessly into outdoors.

The residents also wanted to be able to run their medical business out of the house, and enjoy their hobbies of gardening and koi fish ponds. The architect maximized the small space (only 15 feet wide) by removing as many walls as possible and creating clear sightlines across both levels.

The bottom floor includes a parking area, a clinic work space, the primary bedroom, bathroom, and an open concept kitchen and living area. The kitchen island was designed to expand between six and 18 seats, according to the daily family or business needs of the residents. The lounge area in this space feels like a tropical getaway, with a giant hammock opposite the island and seating inside a boat floating in a koi pond.

To accommodate the clients’ passion for gardening, the Duy Le team created five separate gardens spanning both floors of the Coco House, with marbled pebble skylights and glass block walls providing abundant natural light for both the vegetation and koi fish.

In fact, the architects created an entire microclimate for the home by strategically placing vented glass blocks in the walls. “The design utilizes ventilation bricks to ensure protection from rainy weather. It also allows air circulation from the facade to every nook and cranny. The selection and arrangement of the ventilation bricks, which have been under thorough consideration from the architect, are set up in different directions for aesthetic aspects as well as functioning as drainage and ventilators,” says Duy Le, who adds that the pond also helps regulate the temperature within the tropical abode.

The Coco House fits in perfectly with Duy Le Architects’ mission. “Our two main design influences are sculpture and climate,” the company website says. “It all starts with being sensitive to the local climate and mitigating the effects of climate change by using readily available, cost-effective, energy efficient, sustainable materials.”

The founder adds, “I always want to create impressive and different architectural works, sustainable with time, expressing the creativity and personality of Vietnamese people, not only for Vietnamese customers but also…all over the world.”

The post Vietnam’s Zen Coco House Connects to Family and Nature first appeared on Dornob.

“In this renovation, instead of designing everything from the beginning, we designed it while proceeding with dismantling,” the architects explain. “The elements of the past, which emerged as the demolition progressed, provided considerable inspiration for the design.”

Located in the Koishikawa/Hakusan area of Bunkyo Ward, an area historically full of bookbinding and printing-related facilities, the building once housed a printing factory in its lower half and a private residence in its upper half. The second owner converted the entire structure into a home. When Akira Mada and Maya Mada of MAMM Design purchased it, they wanted to restore its former live/work layout, but adapt it to their personal needs and style.

They started with the staircase, which was contained within its own dark, dim walled stairwell. At first, they envisioned knocking out the concrete walls and putting a skylight at the top to create an atrium, replacing the old stairs with new ones. But as the demolition revealed the jagged concrete edges of the walls and the internal rebar supporting the old concrete stairs, they realized they wanted to keep some of these elements in the finished product.

Thus appeared the home’s star feature, the skeletal metal staircase now entwined with living vines. Stretching the full height of the building, the stairwell is topped by a skylight that can be opened for exposure to the fresh air, with a ladder providing rooftop access. The old rebar staircase is now purely decorative, with new stairs piercing the floors and ceilings in other locations.

The rugged nature of the exposed concrete and metal contrasts beautifully with new elements the architects brought in, like blond plywood, salmon-pink tiles, and translucent partition walls. Additional plants, like small trees in oversized planters, help draw a sense of vitality into the rest of the home and out onto the balcony and rooftop.

The renovation also revealed some surprises. Had they started the process with rigid ideas of how everything should look, the architects might have missed out on some defining features that add a lot of texture and historical context to the redesign.

“In order to apply a new finish to the outer wall, I scraped off the existing plaster finish, and found the glossy tiles from the beginning of the new construction,” says Akira Mada. “I thought it would be a good contrast with the green of the newly planted trees, so I polished it and decided to use it as it is. In this way, as we proceeded with dismantling, we carefully read the existing shapes and materials, and sometimes gave them new meanings.”

The post Renovated Raw Concrete Home Features a Staircase Entwined with Living Plants first appeared on Dornob.

Three new facilities are planned for the cities of Thessaloniki, Komotini, and Sparta in Greece. The largest of the three in Thessaloniki will be a dedicated children’s hospital. Not only will these new hospitals bring much-needed modernization to underserved areas that have suffered economically since the country’s government debt crisis started in late 2009, they’ll also act as templates for state-of-the-art hospitals throughout Europe and the rest of the world. Developed as part of the international SNF Health Initiative, the hospitals will focus on equity, serenity, dignity, and comfort just as much as high-quality medical care.

This philosophy is rooted in three core values: the therapeutic power of nature, environmental sustainability, and medical excellence paired with holistic patient-centric care. That translates to spaces and practices that provide privacy, personalized care, direct connection to the outdoors, and room to grow so hospitals can avoid stagnancy by keeping up with changing needs and ideas. Piano’s designs are all similar in their appearance, featuring long rectangular buildings topped with overhanging flat roofs covered with solar panels. These visible structures host clinical centers, while other buildings tucked into the surrounding hillsides contain labs and other technical facilities.

When SNF first started researching this project, they spoke to the local communities where the hospitals are being built and asked them what they’d like to see included in the design. They asked for healing gardens, upper-floor patios, art on display, and recreation areas along with green campuses ringed with trees instead of massive parking lots. In fact, the landscape was designed specifically so that patients can see trees from the windows of their hospital rooms. Plentiful windows and skylights let natural light come pouring into all spaces, including intensive care units and operating rooms.

Healing gardens have become more common in medical settings in recent years, mostly for the benefit of patients. But doctors, nurses, and other hospital staff will also benefit from the ability to walk out into a lushly planted outdoor space to take much-needed breaks from the stress of their jobs. Family members waiting to hear news of a patient’s prognosis or to comfort them after a procedure can experience a sense of relief in these spaces, complete with areas for kids to play, as an alternative to dim, institutional lobbies.

“The basic idea in the tree projects is, to give shape to facilities, which are totally immersed in nature, in order to foster a quiet, relaxing environment for patients and their relatives, but also for doctors, nurses, and all staff,” says the Renzo Piano Building Workshop. “Nature has in fact a ‘therapeutic’ role in every patient’s rehabilitation process, as in the ancient Asklepeion.”

The post Renzo Piano Integrates Therapeutic Gardens into 3 New Hospitals in Greece first appeared on Dornob.

Made of waterproof and fire-resistant fabric in bright white, the tent is made to stand out. During the day, it looks like a small cabin vividly visible against a backdrop of dark woods. At night, when it’s illuminated from the inside, it glows like a lantern. So whether you’re heading off on a hike or just trying to pee at 3 a.m., you’ll always be able to find your way back to your cozy nest. Yibei describes it as a “cloud,” as if you pulled a wisp of a shelter down from the sky and set it down in your ideal camping spot.

The inflatable tent boasts a simple shape with a triangular roof and rectangular body. Made of 210D Oxford polyester with polyurethane coating on the fabric and seams, it’s durable enough to use in most weather conditions, including rain. Instead of unwieldy and annoying poles, the tent is held up by its airframe made of flexible, flat-pack TPU pipes that expand to 120 millimeters when inflated. The frame is designed to mimic the columns and beams of an actual stick-framed house. The tent also expands to an impressive 8 feet by 7 feet with a much higher ceiling than you’d normally get in a traditional tent, making it feel even more like a hut or cabin.

The best part of all might just be the tent’s many generously-sized windows. One giant window on each side can be opened to the fresh air, with insect screens to protect you from bugs, of course. The tent even has two huge skylights for stargazing after dark. The result is a space that feels fully connected to your outdoor setting while maintaining protection from the elements. The large size also means you can stand up to change in private, or set up a table and chairs to dine indoors in inclement weather.

Yibei explains that “when you enter the cozy white space, the ceiling is high and the room wrapped in white fabric is very bright. Opening windows on all sides connects the inside and outside, blurring the boundaries. In the forest, you can just hear the trees blowing in the wind, the chirping of birds, and the smell of wood and earth. The sound of the waves and the scent of the tide create a pleasant time on the beach. When it gets dark, close the windows and turn on the lights, and you’ll be able to relax in the comfort of your own warm home.”

The Air Architecture inflatable tent comes in a portable carry bag and can be inflated with any standard battery-powered air pump. The one downside may be that it takes a full eight minutes to fully inflate, which could drain the battery quickly. It’s also likely that the tent will slowly start to sag after a while if you set it up for a long trip, but if that happens, all it takes is a quick top-off of air through the tent’s valve.

Alas, if you’re chomping at the bit to hit “add to cart,” the tent is currently only available in Japan at Tsutaya Home Appliances+, so it might be a little hard to get your hands on in other countries.

The post Air Architecture’s House-Shaped Inflatable Tent is a Perfect Home Away from Home first appeared on Dornob.

Not many people outside Nvidia’s employees will ever be able to get the full experience, but CNET got an exclusive tour of the interiors that gives us a pretty good idea of what it would be like to work there. A walkway lined with trees and shaded with solar panels leads from the Endeavor to the Voyager, and just inside the entrance, you’ll see what looks like a series of jagged mountain-shaped structures inside the main envelope of the building. A stairway scales the central “mountain,” which is where employees meet up and work.

Climb to the top of that mountain, and you can gaze out at the interior landscape of seating areas covered with pergolas to shield them from the afternoon sun. White multi-level mezzanines on either side contain more conventional office spaces. Grasses, vines, and shrubs spill out of long built-in planters that cover virtually every surface of this space, including a sizable green wall. Triangular skylights overhead allow daylight to pierce the roof and keep the plants happy.

At the peak of the mountain is a faceted black structure meant to evoke the image of an abstracted volcano. Inside this “caldera” is a long live-edge wooden table for meetings. As you climb down the back, you see more seating areas, conference tables, and an amphitheater where employees watch presentations. Outside the Voyager but beneath the “trellis” (a canopy covered in solar panels), employees enjoy elevated “bird nest” areas to meet and lounge. These circular enclosures contain sculptural benches, café tables, and an open roof that floods the space with sunlight. Four acres of garden separate the Voyager from the Endeavor.

It’s an unusual design, but Nvidia Chief Executive Jensen Huang wanted a building that gave every employee a view. All offices face outside windows, and employees can choose to work anywhere on campus, not just at stationary desks. The plans were launched well before the pandemic began, but now that the campus is complete, Nvidia sees it as a worthwhile investment. Sure, a lot of employees are choosing to work from home, but if you want to draw your employees back to the office, a gorgeous design like this one is a great way to do it.

If you haven’t seen inside the Endeavor, it’s pretty worth checking out. Architecture firm Gensler designed it around a glass-enclosed elevator core that whisks employees up from an underground parking lot and into a faceted black metal “cocoon” that forms the heart of the building. Just like the Voyager, the Endeavor features a multitude of skylights.

“We worked hard to get the right specifications of glass makeup to allow us the right quality of diffused and soft sunlight in the space,” says Hao Ko, principal and managing director at Gensler. “The final result — where the daylighting is evenly dispersed throughout and evenly experienced by everyone — is a testament to the upfront work we did in design.”

Check out the full tour of the new Voyager building over at CNET.

The post Nvidia’s Voyager HQ Seduces WFH Employees Back with a Dazzling Design first appeared on Dornob.

That’s why the firm focuses on designing homes that feel connected to nature and as peaceful as a monastery. 23o5 Studio isn’t trying to force rural architectural vernacular into urban settings, though. Their designs are modern and well-suited to their environments, often made of concrete. But each one is envisioned not just as a shelter, but as a place that makes you forget all your worries the moment you step in the door. In 2015, they completed “Longcave,” located in the city of Vinh Long, a long and narrow home that blocks out views of direct neighbors and city streets while bringing in elements of sunlight, water, and living greenery. Now, with “Longcave 2,” the architects have taken that sense of serenity one step further by introducing an indoor fish pond that surrounds the main living area.

Inspiration for the project came from Hang Son Doong, a cave located with the UNESCO-listed Phong Nha-Ke Bang National Park. It’s the world’s largest cave when measured by cross-section, renowned for its spectacular underground rainforests, unusual formations like cave pearls, rays of sunlight streaming through natural openings overhead, and placid pools full of fish. From the street-facing facade, the all-white home doesn’t look like much, but that’s because the wonders within are only visible to the residents and their guests.

The architects conceived the home as a series of voids. Like the original Longcave, it occupies a long skinny strip of urban real estate measuring about 32 by 164 feet. Indoor spaces are staggered with perimeter walls and private courtyard gardens to encourage a sense of discovery. The primary living spaces are completely open and lacking interior walls, their areas defined instead by the positioning of skylights and double-height atriums. The dark ribbon of water forms a perimeter around the living room and tea room, koi glittering beneath the surface. Rays of sunlight piercing the skylights, broad-leafed tropical greenery, and the feeling of openness combined with varying ceiling heights do, in fact, make the home feel like a cave — in a very good way.

“With thoughts create a place, not just a house, but it is where emptying anxiety, fear, the only remaining calm,” the architects say. “’The Longcave’ is inspired space section of Son Doong cave, and human life in the initial period of the cave. When stepping through a door and step in space without walls, the space is a combination of the voids. The different sectional shape for the same equivalent area create different feelings for each space. The boundary between inside and outside is blurred away. Light is deliberately set up with zones that directly and indirectly separate the space into different components: light, materials, transitions, tranquility.”

Obviously, homes like this are out of reach for most urban residents in Vietnam (and virtually everywhere else in the world). A private oasis in the middle of a dense, highly developed city is a luxury, especially when it’s as beautifully designed as Longcave 2. One can only daydream about a reality in which everyone is deemed significant enough to deserve access to the comforts of nature left behind as society urbanizes. Who’s ready to campaign for skylights, courtyards, and indoor pools for all?

The post An Indoor Fish Pond Makes This Tropical Vietnamese Home Even More Tranquil first appeared on Dornob.

As Portelli’s evolving artistic style morphed from Impressionism to Cubism to Constructivism, he infused such Maltese hot spots as the Whisky a Go-go, La Stella Band Club, the Dragut and Piali restaurants, and the sanctuary of St. Therese of Lisieux with his love for moody color palettes, clean lines, and blocky shapes.

The post-war modernist also designed his own live-work space in Attard, an ancient city nestled within the center of Malta’s main island. Architecture firm Valentino Architects just completed a retrofit of this space, which they call “La Serenissima,” aiming to preserve “the intentions of the artist’s design as a contemporary living space.” The result is an artist’s dream, bright and modern with high ceilings and plenty of windows to let all-important sunlight deep within the living quarters.

Preserving a Sense of History

The original studio is defined by tall geometric windows and strong southwestern light, and Valentino Architects decided to focus on these elements in their new design. The reworked interiors follow the same north-south axis, placing private living spaces at the south and north with a small home office and conservatory at the intersection. At the south end, which gets the most light, they integrated 45-degree skylights and high windows.

Sliding glass doors lead from the kitchen to a covered outdoor space with a raised timber deck and new glass perimeter. The angled skylights above this deck were removed to give the space more exposure to the elements, allowing it to become an external terrace that’s shaded from the summer heat but still capable of being opened to cooling breezes. The deck steps down into the living room to double as interior seating.

This cleverly converted outdoor space also acts as one big sunlight collector. The light bounces off the new brushed concrete flooring, pale countertops, and white walls and ceilings, further transmitted into the apartment by interior windows and glazing. Additional new elements like angular floor mosaics, sharply arched entryways, and a sculptural staircase recall the strong dynamic lines of Portelli’s paintings.

“Throughout the apartment, Portelli’s collection of midcentury furniture and lighting have been restored and integrated into the decor, his original plywood pinup board kept hung in the kitchen,” say the architects. “At the northernmost end of the plan, a bedroom and bathroom flank a central, floor-to-ceiling triangular window. A sliding door provides the option for closing off these rooms for privacy, whilst allowing the central sight-line to remain uninterrupted while open.”

About Valentino Architects

Based in Valetta, Malta, Valentino Architects is a design-led architecture studio with projects spanning residential, retail, and commercial sectors, with an emphasis on tailored solutions. “Our work is a study in form, proportion, detailing, and texture, characterized by an economy of scale, color, and material,” they say. “We have built a design approach that prioritizes collaboration and is driven by social, environmental, and urban impact.”

The post Valentino Architects Transform a Live-Work Artist Studio in Malta first appeared on Dornob.

Contributing to its awe-inspiring presence is the fact that it’s three stories tall – certainly not the kind of modest structure you’d expect to come upon while walking in the woods. Designed as a vacation home for a Finnish-born client who now lives in California, the stark modern cabin is visually inspired by its setting in remote Kontiolahti, within rocky terrain full of jagged boulders.

This sense of drama is integral to the experience, according to the architects. They want visitors to glimpse it through the trees as they approach on foot, wondering what on earth this “mystical dark object” could be. Its facade is entirely inscrutable by night, and in the daytime, it’s no less mysterious, albeit a little less intimidating.

The polyhedron-shaped building is made of prefabricated cross-laminated timber (CLT) panels, a relatively new innovation in the world of engineered lumber that’s extra strong and lightweight, enabling timber buildings to take on all kinds of shapes and sizes. The thick wood walls are also air-insulated, and all functional and utility elements are disguised within them for a minimalist effect. Even the roof is made of solid wood, oiled to protect it from the elements.

Meteorite’s interior is enchanting in a whole different way, lined with pale wood and brightened up by natural light. Transparent acrylic railings along the stairs and landings add to that sense of airiness, while hardware-free black cabinetry is set within the walls to create a visual anchor. A central atrium rises all the way to the top floor, where a 107-square-foot skylight provides unobstructed views of the stars. A net on the third floor even offers a built-in hammock for lounging, reading, and napping.

“Meteorite is not a large house, but on the inside it represents a completely new 3-dimensional open-concept way of organizing living space,” says Ateljé Sotamaa co-founder Kivi Sotamaa. “Unlike traditional houses where each room has a specific predetermined purpose, Meteorite’s architecture supports more dynamic relationships of its residents and a variety of life situations. Digital design and new prefabrication and construction technologies enable the creation of unique, aesthetically high-quality ecological wood buildings that add experiential value to their locations.”

Client Ulla-Maaria Koivula, who’s the founder and CEO of education technology provider ThingLink, had the cabin built on her grandparent’s old homestead. It was initially envisioned as a vacation home that would be visited a few times a year, but due to the pandemic and California wildfires, the family decided to live in it full-time and work from home.

”Every building materializes our relationship with the natural environment,” Koivula says. ”My inspiration to have a unique wood house built in this country sprouted from the rocky hills and rugged woods of Koli, rich in erratic boulders that also served Finland’s defense during the Winter War. Meteorite reflects the connection my soul has to Finnish nature, and looking through one of its large windows to the misty fields around takes me back to the calm days of childhood.”

“We use the house as a creative space for remote work, hobbies, and hanging out together. In the old days, families gathered into a large horizontal kitchen space to be together. We now interconnect vertically with each other and with the surrounding nature. In this time and age with effective telecommunications and speed trains to the metropolitan region, this is a paradise for us to get settled into the good life.”

The post Meteorite is a Mysterious 3-Story Black Cabin in the Forests of Finland first appeared on Dornob.

Situated along a narrow street in the coastal town of Arenys de Mar, this three-story house has faced some significant challenges over the years. For starters, it had been forgotten by the municipal planning in the latest update, standing as a ghost of a former city plan. Then the owner’s tenant had to abandon the space to move to a nursing home, leaving it totally vacant for over a year. To top it off, leaks in the roof allowed water to filter through the three stories during this time until it all but destroyed the first floor’s wooden structure.

When the architects of Barcelona-based Twobo studio took on the refurbishment of the five-by-five meter home, they actually let these damages guide their design process.

“The water paved the way for us,” the team explains. “Sunlight filtered through the hole left by the collapse of the structure. Could it be that the solution for this small house was precisely to ‘lose’ more meters?”

The tall, skinny dwelling shares walls on three sides with other buildings, with the front facade opening onto a street less than 10 feet wide with almost no sidewalk. Adding a skylight on the third floor and expanding each stairwell allowed in more light, helping the roughly 256 square feet of each floor feel bigger than it really is. The ground floor also got boost of sunlight when the Twobo architects punched out a larger hole in the facade, lining the entire entry with oversize windows and creating a threshold that “transforms the street into part of the house.”

Next came the addition of other permanent features. A compact kitchen was installed on the lower level, with room for cooking essentials and a table with a room-wide tiled-bench that forms a banquette. The existing ceiling beams were left exposed in here to show off all their aged and well-worn glory. Patches of a former blue paint also retain their spot of honor on the ceiling as a nod to the home’s long history.

A sink was added on the second floor and the water closet was cleverly hidden in what looks like a large set of cupboards. The rest of the space on that level houses a full-size bed near a window overlooking the street. Above that, the third floor is reserved for storage, with two oversize wardrobes hung on the wall over the stairwell. The entire home was painted white, with the light, natural wood and tawny floor tiles providing accent color for a fresh and minimalist vibe.

The Twobo architecture studio was formed over a decade ago in Spain by family members Pablo and Alberto Twose and María Pancorbo. Their work has covered technical architecture, interior design services, and landscaping, as well as furniture and fixture design. Their ultimate goal is to find the “apparent simplicity” in each creative project.

The post “History of Abandonment” Guides the Restoration of This 5×5 Barcelona Home first appeared on Dornob.

Built as a summer home in the Chilean coastal city of Puertecillo, the beach bungalow was organized to fit the spatial needs of the client’s five family members plus guests. A complementary design imperative was to create a place where the energizing sea air could flow freely on nice days.

Accordingly, Estudio Valdés used the bulk of the 1820-square-foot dwelling for living space, separating the house into “transparent” and “opaque” sections. The transparent common rooms include an enclosed kitchen and family room, a connected open air sitting room, and a dining area with a covered pavilion. Large wall-to-ceiling windows line most rooms, with wide sliding glass doors allowing them to become one with the outside when the weather allows. That same glass can protect against the elements when shut. An indoor fireplace and an outdoor firepit further accommodate inclement heating needs.

The opaque segment is visibly divided from the rest of the house by an entry courtyard and compact hallway. The three bedrooms are economical but comfortable, with the primary bedroom tucked at the very back for the greatest privacy and the two others fitted with built-in double and triple bunkbeds to accommodate various combinations of kids and friends. Bathrooms between the sleeping chambers add a layer of noise insulation between the spaces.

The firm says the shape of the house is that of “an elongated shed, which occupies its height according to its uses.” Skylights along the entire ridge of the A-frame roof harness the power of the abundant sunrays to provide daytime light for the occupants.

The architects focused on locally sourced resources for the interior, lining the walls with planks of lenga beech wood. The light color provides brightness while the natural grain continues the pattern of “blurring the boundaries between inside and outside.”

The exterior is covered in dark-stained pine boards, a tree also native to the region. The pine slates are interspersed with sections of more organically shaped eucalyptus branches, creating privacy screens around the bedrooms and exterior gathering areas. The combination of branches and planks helps the retreat blend effortlessly with the surrounding forest.

The entire house rests on stilts to achieve a “clear view of the sea above the treetops,” and every enclosure is directed toward vistas of the Pacific Ocean. A collection of loose native plant species makes up the perimeter garden that also acts to hide the home’s structural supports, further adding to the camouflage effect.

Estudio Valdés was founded in Chile in 2003 as a “modern response to the needs of the new times.” In addition to concentrating on a more efficient architectural process, the studio also pledges a “greater commitment to art and aesthetics.” Although they have a strong emphasis on urban design, the M House, completed in 2020, fits their M.O. of “passionate work in the search of different architectural expressions, with original and expressive materials.”

The post Chilean Summer House Seamlessly Blends into Its Coastal Surroundings first appeared on Dornob.

The 1300-square-foot apartment is Gautrand’s first private interior design project. Like many Parisian apartments of a similar age, the space started out rather dark, with a lot of small, enclosed rooms. The clients wanted Gautrand to open it up, infuse it with daylight, and make it feel more modern and playful.

“We wanted to break from the ideas and images of Bourgeois Parisian apartments and lean more towards something that is more in the order of a holiday house, like a ‘cabane de plage,’ those small but colorful shelters from which one steps out to the sun and sky,” says the owner. “We wanted to create something that leaned more towards an artistic statement, and not just a historical one. We wanted to use color and we wanted to sculpt the volumes.”

“Sculpt” became the key word for the renovation. Gautrand approached the project almost like an assemblage, slicing out some areas and bringing in new shapes and modes of circulation. Walls were removed and new voids created to take full advantage of the large windows on the eastern and western facades, allowing the light to travel to two levels of living spaces. These spaces were then divided into zones, each with their own particular style and mood.

At the center of the home stands its most memorable feature: a blocky new staircase in a soft shade of pink that makes the yellow wall behind it look even sunnier. Slightly offset from each other, the steps almost start to cantilever out to the left as they reach the landing and turn upward, arching over niches for a fireplace and shelving.

The stairs lead from an intimate, understated living room tucked beneath the loft up to a vivid yellow mezzanine with an angled ceiling, just beneath the roofline of the historic building. This level contains the primary bedroom, a guest bedroom full of built-in storage, a strikingly textural marble-lined bathroom, and a hallway topped with a long, narrow skylight. Best of all, the bedroom opens onto the full-height living room atrium via atelier-style windows.

“The goal was to create a strip of natural light, through which the sun’s influence, whether it be cold white winter light or warm summer, could cast its shadow and influence the interior, upstairs and down, throughout the day,” says Gautrand. “A traditional staircase would have interfered with the continuity of this strip of sky and so I began playing with the relief that these 20-centimeter thick pieces of cellular concrete would make, and the stairs came out of this. Then I decided to make it even bigger, so that it extended up the wall of the mezzanine and onto the wall under the skylight.”

The post A Chunky Pink Staircase Brings a Playful Spirit to a 17th-Century Paris Apartment first appeared on Dornob.

The curved walkways orbit you around circular buildings and a planet-like dome rising from the horizon. As you follow the path, you are pulled into the gravity of the massive 420,000-square-foot building that is the latest addition to the Shanghai Science and Technology Museum association. Designed by Ennead Architects, the astronomy structure is said to be the largest of its kind on Earth.

“In making this building, we wanted to create a place where the institutional mission is fully enmeshed with an architecture that itself is teaching and finds form in some of the fundamental principles that shape our universe,” said Ennead partner Thomas J. Wong in an interview with Dezeen. “The big idea of the Shanghai Astronomy Museum was to infuse a visceral experience of the subject matter into the design, and to deliver that before you even enter the building, and at the end of your visit, there is this culminating moment directly with the sky, which is framed and supported by the architecture.”

Wong explained that his company focused on three main elements for this extra-terrestrial project. First, visitors pass through the Oculus, a skylight surrounded by gold plating that allows brilliant sunlight to move in its trajectory throughout the day across the courtyard and over the reflecting pool.

“We are within a universe that is continuously in motion, something as essential as it is easy to overlook,” says Wong. “The notion of orbital motion and its relationship to time became a primary source of architectural inspiration.”

The second crucial design element was the planetarium sphere, which appears to be suspended in air at the far end of the building across from the main exhibition halls.

“Embedded in the roof plane of the lower museum wing, as if rising out of the Earth-bound horizon, the sphere gradually emerges into view as one rounds the building from the outside, the drama unfolding as though one were approaching a planet from one of its moons,” Wong explains.

Finally, the inverted dome completes the visitors’ journey through space, giving them an unobstructed view of the heavens.

“The approach and entry sequence were carefully crafted choreography, where one senses the force of compression while traveling underneath the entry cantilever, only to emerge in a light-filled swirling space that brings your gaze upward,” Wong explains.

The New York-based Ennead Architects won the bid for this project because of this focused plan to envelope patrons in a cosmic atmosphere.

“To the extent possible, we wanted this building to echo the essence of the universe and there are no straight lines or right angles in space,” Wong continues. “Whatever their age or education level, people can observe and hopefully understand more about some very basic underpinnings of astronomy through a series of direct, physical experiences. Space can seem so abstract — we wanted to provide something that was tangible and exciting.”

This stunning museum, including views from its 78-foot-tall solar telescope, is now open year-round to the public each Tuesday through Saturday.

The post New Chinese Astronomy Museum Design Echoes the “Essence of the Universe” first appeared on Dornob.

“The design concept starts with the radical difference between the rural and urban interpersonal networks,” explains the Macau-based Studio A()VOID team, adding that it “reinterprets the native cave dwellings of the site as vertical ‘grottos’.” The 23-foot-tall huts are laid out irregularly on a 13-by-19-foot grid, each calculated on the length-to-width ratio of the original cave structures.

Composed of double-layered gray brick, the buildings curve organically into gentle rectangles. Individual bricks protrude asymmetrically along the outsides, too, marking the levels where scaffolding was used in the construction process.

Each pod is topped by a giant skylight, and together with the uber-tall ceilings, they encourage visitors to appreciate the verticality of the space. The access to natural light all day long also recalls the agricultural roots of Xiyaotou village. The studio says it “contextualizes residents to rurality’s rhythm of ‘working from dawn to dusk” and “exposes their sensitivity to the sun’s trajectory.”

In the winter, the double-thick walls use those sunrays to help warm the grottos from the average outside temperature of 50 degrees Fahrenheit. When it gets hotter in the summer, heat can escape through the pods’ strategically-placed windows, and through the chimney effect of each unit’s elongated geometry. The windows and doors of each cave structure are composed of pre-weathered steel that pushes out from the brick facade. Individual units are connected on the second story by a raised wooden walkway.

“By flowing the bridge of connectivity in between the private grottos, the design attempts to realize a community in which public and private coexist,” the studio explains, adding that “it serves as the keynote for the layout of the corridor structure and supports the new building complex in a spiritual sense.”

The bridge is held up by pine columns and snakes in between each dwelling to provide a link to all the units. The elevated sidewalk also gives walkers a birds’ eye view of the surrounding landscape, including a dense grove of trees, a nearby shoreline, and the “aboriginal architecture of Yu County.” The empty spaces below the boardwalk are designed to provide room for hosting workshops, exhibitions, and even markets.

The grotto sanctuary, completed this year under the direction of lead architect Yun Hon, was created as part of a larger Chinese initiative to rejuvenate rural “hollow” villages across the country like Xiyaotou, most of which have seen conditions deteriorate as residents have migrated to newer areas. The idea is to transform abandoned communities into destination places for tourists, with unique accommodations, local cuisines, and fun activities. Grotto Retreat Xiyaotou’s compilation of clustered units was designed to be flexible to these types of future needs and more.

Studio A( )VOID characterizes itself as a design group that “celebrates the emptiness and possibilities of a void.” They “design to allow capacities for randomness and surprises in different aspects of a project, so involved parties are encouraged to participate in this controlled mayhem.”

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Set in Shanghai’s Baoshan Wisdom Bay Science and Technology Park, the Book Cabin was designed by Professor Xu Weiguo of Tsinghua University’s School of Architecture and built by printing machines his team developed themselves. The cabin adds space for reading, book sharing, book shows, and academic discussions to the city’s Arts Bridge Space, a bookstore and venue offered by the Guanxi Normal University Press Group and ACC Art Books and Images Publishing.

From outside, the cabin almost looks like an enormous piece of dented pottery, or perhaps a paper wasp nest. Each thin layer of printed concrete is visible on its exterior surface for a textural ridged effect, and a wall that curves out to welcome you inside has an interestingly rippled surface of its own. Designed using MAYA software, the cabin can accommodate up to 15 people at a time.

No rigid framework or formwork went into the Book Cabin’s construction. Two sets of robotic arms simply laid out the fiber concrete material (specially developed by the team) one layer at a time until it completed the top of the domed roof. Each robot requires two people to operate, but just 4 to 5 people are needed to oversee the entire construction process, unlike the larger crews required for conventional building. The hollow walls are filled with thermal insulation mortar, and the ceiling is punctured by an operable skylight, so you can enjoy fresh air and read by the light of the sun.

“The design and construction of the Book Cabin show that 3D printing, as a way of intelligent construction, not only saves materials and manpower, but also has high construction efficiency and high construction speed, and can achieve irregular shape construction and ensure high quality of the construction,” says the team.

Professor Xu Weiguo previously designed and developed the world’s largest concrete 3D printed pedestrian bridge, which is also located in Shanghai’s Wisdom Bay Industrial Park. Measuring over 86 feet long and 12 feet wide, the bridge has a fluid shape inspired by the ancient Anti Bridge in Zhaoxian, China.

The professor’s team integrated innovative technologies like printing path generation, digital design, and advancements in 3D printing like a robot arm with a printing tool that won’t get clogged during long concrete printing sessions. It took 450 hours to complete and cost one-third less than a conventional bridge of similar size.

Weiugo explains that “the design of the pedestrian bridge adopts three-dimensional solid modeling. The bridge handrails are shaped like flowing ribbons on the arch, forming a light and elegant posture lying on the pond of Shanghai Wisdom Bay. The pavements of the bridge are generated from the form of brain corals, and white pebbles are filled in the voids of the pattern.”

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A New Zealand native, Glogau explored global challenges all over the world as part of his studies in Architecture and Extreme Environments at the Royal Danish Academy. His travels in Chile – among some of the 110,000 families there with no access to power or purified water – inspired him to invent a self-sustaining solution.

“I identified two raw resources which [the Chilean] communities had unlimited access to: sunlight and seawater,” explains Glogau, who now works at Danish architecture firm GXN. “I wanted to achieve a design which was sustainable, passive, and created a striking feature inside the dark settlement home. In my development process, it became apparent that I could address the lack of indoor lighting and water access by creating a hybrid skylight and solar desalination device.”

Here’s how it works: salty seawater is poured into a pipe in the bowl-shaped skylight, where solar energy is harnessed to distill it into drinkable water. A tap at the base allows owners to collect the usable water from inside their homes. The skylight also brings diffused natural sunrays into houses that are often dark due to a lack of windows. When the sun goes down, the leftover brine from the ocean water is sent into copper and zinc batteries that produce an electrical charge to power an internal LED lamp for nighttime use. This green model keeps resources efficiently cycling through the whole process.

Collaborating with local NGO Techo, Glogau was able to install his device within the Chilean community of Antofagasta. Through the course of his experimentation there, he developed a prototype that could produce 440 millimeters or 1.85 cups of potable water a day. The 12 salt-powered batteries in each skylight were able to generate 9.53 volts.

Glogau is one of six finalists in the Lexus design competition, an annual contest sponsored by the luxury car brand to discover up-and-coming makers and inventions that incorporate their three fundamental principles: “Anticipate. Innovate. Captivate.”

This year’s theme of “Design for a Better Tomorrow” allowed participants to address relevant issues of the day. “In the middle of a changing climate and a global pandemic there was a predictable urgency to the problems being addressed by the designers,” said Lexus Design Award judge Greg Lynn. “Across all the proposals we saw, there was also a humanity and intimate scale.”

Other proposals that made it to the last round include things like a terracotta evaporative wind-powered cooling system for subways, mittens that use rhythm and music to mitigate stress, and a reusable packaging material that can be assembled like a puzzle with rearrangeable pieces.

The finalists will be matched with leading mentors and given $25,000 to help them improve their prototypes. The projects will then be judged and a winner declared in April 2021.

Glogau is excited for the difference this competition can help him make. He believes that innovations like his desalination skylight are essential to the earth’s future. In order to survive climate changes and resource scarcity, he says, “we need to re-imagine our living environments in a sustainable and autonomous way.”

The post This Innovative Skylight Turns Ocean Water into Drinkable H2O first appeared on Dornob.

Architects Olivier Ottevaere and Elsa Caetano took an “anti-facade” approach to “Casa Trevo” in Aroeira, Portugal. Designed as a retirement home for a couple relocating to the area, the residence rises from its scrubby open lot like a monument. Only a few pieces of glass can be glimpsed from the outside, and entrance points to the inner areas of the curving shape start to feel especially labyrinthine when you walk up only to see a void in a tall concrete wall.

What you can’t see from the ground are the residence’s primary draws: a rooftop swimming pool and multiple light-catching internal courtyards. These three circular outdoor patios are the axis points around which the layout of the rest of the home revolves. The architects conceived of the two-story house as a series of columns and voids stretching to the crowns of the adjacent pine trees, with the accessible rooftop offering exposure to the salty air blowing in from the nearby Atlantic Ocean.

“The nine-meter high patios also [serve] as main structural voids in the form of three hollowed and semi-open columns,” say the architects. “Together, they support a series of floor slabs ascending at different increments. They also hold a beam of water, serving as a lap pool on the rooftop and whose underbelly is pressing down on the spaces below.”

Inside the house, there’s no shortage of natural light, with various openings and skylights producing glowing shapes on the concrete floors, stairs, and white walls. Mimicking the topography of the slope outside, the home’s interiors can also be said to follow a much more straightforward logic than the strange and irregular exterior. This geometry becomes clear when viewed from above.

The firm adds that “’Casa Trevo’ exerts a peculiar sense of autonomy and monumentality, despite its small size. It is unified by concrete on the outside, subverting the perception of its scale, while serving as canvas for a dialogue between nature and architecture to be projected. It also exudes a solid impression of mass while revealing little of its inside. The house produces its own introverted world facing the sun, with private yet mutable spaces rendered intermittently by Lisbon’s brash light.”

A house like this isn’t for everyone, of course, and it’s fair to ask how well its multi-level layout and unforgiving surfaces will serve its retired owners in the later years of their lives. But it’s certainly unique, and who wouldn’t lust over that pool? Casa Trevo unquestionably has a bit of an experimental feel to it, and frankly, that’s something we could use more of in a world overflowing with residential architecture. The architects’ own past experiments with cast-in-place concrete and novel shapes in everything from architectural columns to viewing platforms have clearly informed the design, and they’re all interesting in their own right, too.

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