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Her passion for creating Black art stems from her childhood as a minority in Pomona, California. “Growing up, I was often the only Black kid in my class, and I found it hard to find things that represented my background,” Brown says on her website DomoINK.com. “My father and I would go out of our way to find greeting cards that had images of Black families on [them]. We’d buy them from individual sellers because many retailers didn’t carry them.”

As an adult looking to decorate her own home, the artist recognized there was still a severe lack of Black art at big-box stores. That’s when she decided to do something about it by starting her own brand of art prints, apparel, and home décor in her spare time.

“Our voices, idea, and stories still remain unspoken for in the art world,” Brown says. “I want my portraits to tell unknown stories. I want people of color to be represented.”

One of her most popular prints is her “Black Hair is Dope” portrait, which depicts a Black woman with a head cover and long twisted braids. Brown says of the piece: “I created this portrait to challenge stereotypes about Black people wearing durags. It serves to humanize and normalize that this headpiece is an essential aspect of our culture.”

At the start of the pandemic, Brown was working two full-time marketing jobs, putting in 80-hour weeks and making roughly $130,000 a year. She then quit one of those jobs and started designing in her evening hours. Although “there were a lot of sleepless nights” in the beginning, her artistic investment soon paid off. Brown’s after-hours work now amounts to less than two hours a day now and earns her $22,000 a month, thanks to sales on her website, Etsy shop, Society6 shop, and retail partnerships.

World-renowned companies including Disney, Samsung, and Lowe’s quickly took notice of Brown’s distinctive style and asked for collaborations. She’s even created art for the L.A. Lakers.

This year, Bath & Body Works commissioned Brown to craft a piece in honor of the Juneteenth. The result was an image of a Black family enjoying a picnic on the national holiday. She also recently completed a one-of-one artwork to decorate the walls of a Santa Monica Dr. Martens shop.

While her art career has officially taken off, Brown continues to work a traditional job as a marketing manager for an insurance company offering health care options to low-income Californians — but she loves making her mark with her side hustle.

“My ultimate goal is to make DomoINK a lifestyle retailer that can be a source of representation for those who are underrepresented,” Brown says. “The feedback I have gotten from people who feel seen by my work has been incredibly gratifying, and it inspires me to grow my business even more.”

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It’s immediately clear why such pieces would be displayed in a gallery: they are indisputable works of art. The sculptural “Khanda” table is a standout, consisting of three separate black wood pieces that can either be pushed together or separated for flexible usage. “Khanda is a playful yet grounded piece with a certain sense of timelessness in its solid mass,” explain the designers. “Its function varies from a low table, a pair of stools, a bench… it is a dynamic piece of furniture which evolves in a room by changing its function over time.”

A pair of stools called “Cuddle” function much the same way as the Khanda table, coming together like living creatures seeking comfort. The makers explain that the design was born “as a story between two beings,” bringing two seated users together in close proximity or separating them as more autonomous beings.

Likewise, the alluring “La Nuit Étoilée” armchair embraces the user with a mysterious shape and a color palette inspired by the midnight sky. “As we approach it from the back, it appears like a piece of the moon, levitating in space,” says Atelier Pendhapa. “ [The inside] reveals a radically contrasting interior in soft night blue. A swivel mechanism is concealed within its solid dark wooden structure.”

The “Mast” chair aims to bring balance to the body with its solidity, which “anchors the object in space.” Its curved design consists of just two elements, a base, and a circular back that folds around the body to provide a sense of intimacy. The “Anchor” chair achieves a similar effect in a slightly different shape, with a lower center of gravity and a soft blue velvet seat.

The “Sarani” trio of objects takes its name from the Sanskrit word for “an endless spiritual path,” and includes three pieces designed with this notion of infinity embodied in their curving shapes. Atelier Pendhapa collaborated with a local fine metal craftsman to bring the objects to life, pairing their signature black teak with Kuningan metal. The objects include a striking coffee table, a vase, and a bowl.

Other pieces by Atelier Pendhapa are just as captivating, like the “Naksathra” sofa with its skeletal black frame and structured white cushions, the graphic black and white “L’Écorce” bench with its built-in side table, and the invigorating “Admani” bench, a collaboration with artist Helena Bajaj Larsen.

Founded in 2019, Atelier Pendhapa consists of designer/architect duo Antonin Hautefort of France and Ignatio Tenggara of Indonesia. Hautefort and Tenggara bring together their diverse cultural backgrounds and a shared passion for local craftsmanship to design spaces and objects that evolve over time, yet feel timeless and always in dialogue with their context.

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Not too long ago it would have sounded like futuristic science fiction, but here it is – the world’s most expensive luxury bed that is not suspended but, instead, is tethered to the ground so it does not simply drift up and away.

Seven years of study went into the development process of the permanent, non-degrading magnetic support system for this seven-figure sleeping platform. The bed frame itself is a simple rectilinear board, painted black, that appears to hover on invisible legs.

As the old argument goes: if you are going to spend a third of your life lying on something, you might as well make it something nice. Since it can hold up over fifteen hundred pounds, well, weight will not pose a problem for most people.

To be fair, it is worth questioning the real value in such an expensive solution. How is this floating magnetic bed so fundamentally different from a normal bed – or a hanging, water or other specialty sleeper? And what is it about that experience that makes the design worth as much as a mansion? Perhaps it is just another plaything for the rich, for now at least, but who knows … as technology evolves maybe it will be a teenage fad ten years from now, too. What the military did for flight, architect Janjaap Ruijssenaars may just do for the sleep (or entire furniture) industry. Maybe.

“The Floating Bed was designed as a pointer towards gravity. An omnipresent force that dictates our lives here on earth. It was done by making the exception, a Floating Bed that seems to fall up instead of down.”

“Essential in the long process of testing, engineering and designing was to make a piece of furniture that, visualy, is not dictated by gravity. Four thin cables that are tethered to the floor communicate hanging upside down. The direct surroundings and custom made covers form an integral part of the product. It can be used as sofa or mere art piece.”

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First and foremost, there’s the jagged silhouette with its massive triangular planes, the sharp ridge of the roof smoothly transitioning into the walls on all sides. Its sheer aerodynamic angularity makes it stand out from the crowd. When working with such a small space, most designers choose headroom over visual flair, but with the Base Cabin, it’s hard to deny just how cool the sacrifice of that space can ultimately look.

Then there’s the choice of stark matte black for the entire exterior, punctuated by a handful of well-placed windows and double-width folding glass doors. The black rubber stretched across the cabin’s lightweight steel frame produces an overall effect of abstracted mountains, and it makes the whole structure easy to tow.

Inside, marine plywood lines the floors and ceiling for a feel that’s clean, modern, and only about a million times more pleasant than the average plastic camper. That’s exactly the point for the Victoria, Australia-based Base Cabin Building Company, who hired Studio Edwards to come up with a “considered, functional, and flexible space that provides a fresh design approach to the micro-home typology.”

As you can see, the resulting product is a camper for lovers of architecture and design — and one that many people would be proud to travel with. The only downside might be all the curious onlookers who will want to ask questions about your highly unusual cargo.

It’s remarkable just how much Melbourne-based British architect Ben Edwards managed to fit within this “cocoon,” including a bathroom and storage space. The built-in window seat with bookshelves underneath is a particularly nice touch, situated beside a rear window that opens completely to the outdoors. Unlike many tiny houses, there’s no loft in the Base Cabin, but its high ceilings negate the claustrophobic feeling that can come with smaller campers.

“The design is inspired by the A-Frame cabin and iconic airstream trailer,” says Edwards, adding that “the A-frame is structurally efficient and uses less material than conventional portal framed buildings. [The Base Cabin] is mute in its appearance and clad in black rubber to blend into its surroundings.”

“A cozy sleeping space sits below the A-frame roof, with triangular windows framing views [of the outside world. The cabin comes] complete with a central bathroom and shower bathed in light from the roof-light above. A kitchenette to the rear of the cabin provides kitchen functionality, with a window seat and fold-out table adjacent to a large operable glazed facade.”

Naturally, sleek modern architecture on wheels also costs a bit more than the average camper. The price of this cabin starts at $99,000 AUS, and only three have been built so far. If you’re intrigued, check out Base Cabin’s website for contact information, or follow the brand on Instagram.

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Bold Marble

Image via Maddux Creative

Skip the standard Carrera marble and try something a little bit out of the ordinary instead. Unusual marble patterns like Zebrino, Arabascato, and Paonazzo add artistic flair and the grounding influence of natural materials in one. And when it comes to 2020 bathroom trends, this design by Maddux Creative practically has it all: an interesting marble pattern, gold accents, open shelving, and vessel sinks.

Brass and Gold

Image via Blaze Makoid Architecture

It’s hard to be mad about the continued popularity of warm, elegant-looking brass and gold accents in interior design. You can bring these metallic materials into the bathroom in all sorts of ways, including lighting, mirror trim, faucets, and cabinet hardware.

Dramatic Black

Image via HGTV

Bathrooms are usually fairly small, so they may not seem like great candidates for dark hues. But you don’t have to paint your whole bathroom black in order to pull off this trend. Black brings in some contrast that sets off other elements in the room: daylight streaming in through the windows, living plants, white walls, beautiful marble, gleaming lighting fixtures, and reflective surfaces. Try incorporating it through your vanity, an accent wall, shelving, or accessories. Black cast iron tubs set against white walls are also very popular this year.

Integrated Lighting

Image via Grand Mirrors

Good news for your makeup application routine: we’ll likely see a lot more diffused LED lighting integrated into bathroom elements like mirrors, shelves, and vanities in 2020. The effect is much softer than that of a standard lighting fixture, and it tends to be a lot more flattering, too.

Open Shelving

Image via Septembre Architects

The idea of open shelving in the bathroom isn’t to keep all your clutter in full view, but rather to mimic a spa-like feeling with well-curated vignettes. Shelves on the wall or beneath your vanity might display baskets full of plush towels, aesthetically friendly bath oils and salts, plants, or apothecary jars full of cotton balls.

Smart Features

Image via Kohler

If you’re disappointed that, in the decidedly futuristic-sounding year of 2020, we still don’t have all the cool tech predicted back in the 80s, you can at least soothe yourself with a shower that’s perfectly customized to your preferences down to the single degree. Smart features are invading one of our most private spaces, and while to some people that sounds like a nightmare, to others it’s a dream.

For instance, Kohler has a new smart toilet with built-in speakers, ambient lighting and, for some reason, Amazon Alexa support. Their Verdera Voice Lighted Mirror supports Google Assistant, as well, playing music, telling you the weather, or changing the color of the integrated lights. And Kohler’s PerfectFill bathtub technology will draw a bath “to your preferred preset temperature and desired depth with a simple voice command.”

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Sick of losing your spot when you stop reading halfway through an article? Hate to leave magazines simply strewn about the coffee table? This two-in-one storage solution is a minimalist solution for saving the page and stacking your light reading material.

The angled roof provides a way to make the page without bending or creasing the magazine, while also making it the most accessible of the bunch (sitting on top) for when you want to pick back up where you left off.

The interior area works as a way to keep magazines roughly straight, while still allowing you to grab out another from the pile out either the front or the back. For a single sheet of wrapped metal painted in a solid modern color (black, red or white), this little design idea from Rudolph Schelling Webermann, aka DING3000, goes a long way.

“Everything under one roof.‎ Lifestyle for the readers.‎ Practical and ornamental.‎ MAGAZIN is a timeless and beautiful magazine stand in shape of a house.‎ When disturbed while reading, just lay the open magazine on the roof of the house, and you can easily pick it up again to carry on reading, without losing the page.‎ Meanwhile your other favorite magazines can be stored under the roof.‎  Color: white, black, red, pastel turquoise, squirrel grey or beige red. Material: Steel sheet powder coated.”

“Our multiple design awards and bestselling products tell its own tale: We have the ability to develop exciting concepts and turn them into market-ready products. How do we do it? By making special to our specialization! We specialize in making unique and distinct products. With a mix of methods and *magic we work in a variety of industries by seeking the unexplored and defining new products or entire product categories. In the unknown our design approach has the most value: It creates special user-experiences and iconic products with relevance for brands and people. “

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Monochromatic black houses are certainly a bold choice, but they’re growing increasingly popular, and a new set of rural cottages in the Hudson Valley present an argument to continue the trend.

Thomas Phifer and Partners, an architecture firm based in Manhattan, completed “Hudson Valley House II” in 2018. Set in an idyllic clearing full of native grasses and surrounded by conifers and deciduous honey locust trees, this “house” is really a series of small black buildings arranged around a central communal garden. Perhaps you’ll look at the photos of these stark pointy structures half-obscured by trees and liken them to the foreboding huts of scary old witches, or perhaps you’ll be intrigued, drawn in by the interplay of the textural shingles and the lush green branches.

Two of the structures are connected, housing a living and dining room in one and a bedroom in the other. The third, which looks like an archetypal gabled house that’s been cut in half, offers the residents a tranquil chapel from which to contemplate the setting, just as singularly dark inside as it is out. But venture into the other structures, and you’ll find pale wood-lined spaces that feel bright, light, and well-ventilated, perfectly complementing their dark facades.

Each of the pavilions is covered in cedar shingles treated with Swedish black tar, a natural surface treatment made of 100-percent pine tar. Not only does this ancient treatment impart the look of black paint, it also acts as a natural preservative, creating a water-repellent vapor barrier that will keep the wood looking beautiful for decades on to come.

Set against the lush greenery of summer, the overall effect of the Hudson Valley cottages is subtle, but one wonders just how much the mood of the complex might change once winter arrives.

The firm’s website reads: “Since founding Thomas Phifer and Partners in 1997, Thomas Phifer has completed an expansion of the Corning Museum of Glass in Corning, New York, the United States Courthouse in Salt Lake City, Utah, the North Carolina Museum of Art in Raleigh, North Carolina, the Raymond and Susan Brochstein Pavilion at Rice University in Houston, Texas, and numerous houses in the Hudson River Valley of New York State.”

“Since 1997, Thomas Phifer and Partners has received three Design Excellence awards from the General Services Administration and more than 20 honor awards from the American Institute of Architects, as well as numerous national and international citations. His projects have been published and exhibited extensively in the United States and overseas. A monograph on the work of Thomas Phifer and Partners was released in 2010 by Skira Rizzoli.”

All photos courtesy of David Miranowski

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They’re often shed-like in their scale and the low sophistication of their materials, containing little more than a bed and a table. Some of the people who occupy them might be seeking wisdom or healing in asceticism, while others might be fleeing outside influences.

A small, lone cabin in the woods might still strike fear in the hearts of hikers who stumble upon it, especially if it’s particularly rustic or unkempt – but even modern remote hideaways can look like they belong in fairytales or horror movies. When a man in the Czech Republic wanted to build himself a retreat where he could “hole up” and recharge in between demanding projects at work in the city of Prague, he approached Uhlik Architekti with an unusual vision.

No doubt, the finished project is odd, and still, perhaps, a little unsettling. Pitch black on the outside, it’s tipped up onto a boulder on one end, almost as if it fell from the sky. Gazing at it within these woods, one could imagine all sorts of strange backstories for its presence. The truth about its usage may be mundane, but the cabin itself certainly is not.

The architects call the setting “a remote and somewhat forgotten place” in the woods between Central and South Bohemia, where the client comes from. Finding a particular sense of magic there, the architects decided they’d build the cabin with their own hands using wood from nearby forests and the skills of local craftspeople. The exterior is charred pitch black, while the budget-friendly plywood interior glows amber by lantern light after dark.

Steps lead from the standing-height bedroom at the entrance up to a resting spot elevated over the boulder. Each step provides a place to work, eat or sleep, with the space beneath them devoted to storage. One of the benches even folds over to create a double bed.

Both of the glassed-in openings can be enclosed and protected by large shutters, one of which is operated by an old-fashioned pulley and hand winch. The angled roof, covered in asphalt tiles, easily allows water to drain off to one side, diverted from the entrance by the rail of the pulley wheel. All of the steel components were crafted by a local blacksmith, in keeping with the traditions of hermitages around the world, yet the overall effect of the “Forest Retreat” is strikingly contemporary.

Small as it is, the space is configured either for solo habitation or for performances that can be enjoyed by a group, with the steps acting like stadium seating. One of the glass windows offers views of the treetops, while the other gazes down the rocky hillside. When the shutters are closed, the volume is certainly mysterious: a black monolith, its purpose obscure. What would you think if you were wandering around in the woods of Bohemia and discovered a structure like this?

Images courtesy of Arch Daily. 

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Designed by the local firm Pedevilla Architects, Hotel Bühelwirt is a modern take on the classic hiker’s hotel. Such lodgings can be found in mountainous regions all over the world, serving as gathering points for travelers seeking a deep connection to the nature in the area. Often remote and sometimes only reachable by way of a long hike, these accommodations are also typically as rustic as their surroundings, empasizing warmth and comfort above all else. Hotel Bühelwirt is located on an elevation called Buehel in the hamlet of San Giacomo, so deep into the Italian Alps that it’s nearly in Austria.

If you look closely at the hotel in person, you’ll realize that within its blackness is actually a very dark shade of green inspired by the nearby Black Forest. The shade was also chosen to mirror the look of the mountains on a cloudy day. The wood itself is locally sourced, like most of the other materials used for the project. The jagged shape of the black volume spills down the mountain from an original, much more conventional inn built by the current owner’s grandparents, acting as an extension that adds 20 new rooms, a restaurant, and a wellness area to the existing facilities.

Step inside, and you’ll find a series of serene guest rooms with a light, airy feel that sharply contrasts with that of the exterior. Every one of the rooms looks out onto the landscape through a spacious window with a built-in lounge area, perfectly framing the views. Minimally furnished but wonderfully cozy, the rooms are finished in a soft cloud-gray plaster, which itself is brightened by the presence of larch wood siding. Modern chairs by Prostoria transform into spare beds on demand. Some rooms even include telescopes on their balconies and freestanding bathtubs.

The restaurant boasts a strategically placed play area for children and a kitchen for guests who prefer to prepare their own meals. A sauna with stepped seating looks out onto the garden and a gorgeous river below. Spa access, breakfast buffets, picnic snacks, and dinners all come complementary with each stay. Double rooms are available for around €60 per person.

Hotel Bühelwirt was a finalist in the “Interior and Architecture” category at the 2018 AIT Awards, a world-renowned architectural awards ceremony.

“The reduction of things to their essentials…the characterization of traditionally necessary things…the demand for convincing clarity and simplicity in architecture…and the conscious need for architecture to express its purity — those are all the basic parameters within which Pedevilla Architects work and create,” explain hotel owners Michaela and Matthias Haller.

“‘The connection between today and the world of yesteryear…the connection to the locality and its history: that makes the difference. And now the expansion of the traditional inn with this advanced architecture which, though spectacular, will still seamlessly integrate itself into the landscape.”

All photos by Gustav Willeit

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Four Magnificent Stories

Upon entering THE KRANE, visitors are greeted by a reception area on the ground floor. Right above that is a meeting room called the “GLASS BOX,” which offers a 360-degree panoramic view that’s sure to inspire magnificent ideas and make them soar. Atop this think chamber is an inviting spa that boasts a glass wall and two tubs for visitors to relax and absorb the enchanting vistas in. Møller once described the environment around THE KRANE as “an immersive, multi-sensory experience…the integration of sensations – sight, sound, and stemning (the Danish word for ‘atmosphere’).” The fourth story, which has simply been dubbed the “KRANE ROOM,” is comprised of a lounge and terrace covered in Dinesen Douglas outdoor planks.

Black On Black

Few designers have the vision or courage to create art that only focuses on one color — especially if it’s a non-color like black. But Kastbjerg and Møller insisted that the crane’s coal-loading history be reflected in the redesign so that visitors would give the exterior just as much attention and appreciation as they’d give the interiors. Furnished with handcrafted furniture and accessories by local artisans, THE KRANE’s high-end decor is nothing if not a master class in craftsmanship, style, and quality. Commenting on the minimalist black-on-black interior, Møller states: “Black plays a pivotal role in muting and minimizing visual distractions so people feel almost enveloped in the interior. There are hundreds of different shades of black. Depending on the time of day, you can see so many subtle nuances.”

Awesome Accents

To complement the black beauty of THE KRANE, a mixture of leather, wooden, stone, and steel embellishments have been scattered throughout its interiors. The furniture on each level was made-to-order to match the structure’s theme and dimensions. Dinesen Douglas planks cover most of the floors, ceilings, and walls, all of them finished with an exclusive mega-black oil, which itself adds an air of intensity to the atmosphere. Only in the conference room are the planks lightly colored and refined with lye and white oil.

Perfect For Work & Play

Each floor of THE KRANE was specially constructed to meet various needs. Business transpires in the conference room, with a breathtaking view of the ocean and harbor outside. The sleeping quarters accommodates two and features the best and most lavish Danish designed furniture. Visitors receive a personal concierge, who personally picks them up at the airport and remains on call throughout their stay. A personalized assortment of wines and bubblies are sure to end the evening on the ideal note. The spa, which is lined with stone from top to bottom, sports two large baths and a marvelous glazed glass wall for a window on one side. Luxury amenities include Wi-Fi, a flat screen TV, air conditioning, heating, and a projector.

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Have you ever wanted to own a little corner of the world that you could escape to whenever you wanted? Thanks to a new prefabricated shelter by Japanese furniture, clothing, and homewares brand Muji, you can now do just that. The shelter, or “hut,” as Muji has called it, is a one-room dwelling that can be set up anywhere. That is, anywhere in Japan, as the company has not yet planned any international sales. Muji’s goal in creating the hut was to provide people with a space of respite and contemplation that could be sited in a garden, a beachfront, a hillside, or even in a field.

The hut measures 3.8 x 3.5 meters and consists of a single interior space separated from an external front porch by a sliding glass door. The room measures 9.1 square meters, while the porch provides an additional 3.1 square meters of space. Though the structure’s total surface area of 12.2 square meters might seem small, it’s a pretty generous size for a hut. The prefab has an almost perfectly square floor plan and a lean-to roof that pitches downwards from back to front, allowing water to run off easily. A slightly off-center window in the hut’s back wall promotes cross ventilation and permits through-views to the front to take full advantage of whatever idyllic setting the shelter finds itself in. With its sliding door open, the cabin can comfortably fit three to four people. Residents and guests alike will be able to enjoy protection from the elements indoors without having to isolate themselves from the surrounding external environment.

Nearly every part of the Muji hut was built using Japanese wood, from its timber frame to its exterior cladding all the way down to its interior wall paneling. The hut’s external walls are lined with blackened cedar boards, which have been burnt to become extra durable and to acquire antiseptic properties. Muji borrowed this technique from Japanese shipbuilding practices, in which wood is burned and stained to give it the strength to withstand harsh ocean tides. The prefab’s roof is made from structural plywood that has been covered with asphalt and a corrugated sheet of aluminum-zinc alloy for weather protection. The internal surfaces are finished with a simple cypress veneer, creating a minimal background over which owners will be able to decorate and express their individuality. The hut rests on a concrete raft foundation to keep it off the ground and has a mortar-finished floor for easy cleaning.

Muji says of the cabin, “It’s not as dramatic as owning a house or a vacation home, but it’s not as basic as going on a trip. Put it in the mountains, near the ocean, or in a garden, and it immediately blends in with the surroundings, inviting you to a whole new life.” This is only the latest in a series of prefabricated shelters by Muji. Two years ago, the company released a trio of mini-cabins and a test prefab house. The hut retails at $21,000 and is currently scheduled for a fall release.

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