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This project is rooted in an entertaining exercise: clients ‘from the future’ seeking a multi-functional abode that can be configured to fit their needs. The quirkiness does not end with the design itself, though, as even if the finished-layout photographs feature curiously pixelated occupants.

Created by Dash Marshall, there are four core components to this futuristic “space age” project – first, some space-saving strategies: (1) replacing hallways with sliding walls to eliminate relatively-useless circulation areas, (2) a flexible living-plus-bedroom with a walk-in closet, all enabled by a thick pivoting wall, giving the feel of secret rooms.

Next, things get futuristic – (3) flush-fitting, easily-vanishing, built-in storage the recedes from view when not in use and (4) a reflective, glossy, and rounded interior to bounce light throughout and make the entire residence feel more open.

As engaging as the apartment is in and of itself, this entire sequence from concept to realization to representation also shows a level of consistency not always found in design work – every step reinforces and reflects the core ideas that went into the process and final product. The story is told in part by the choice to computer-blur people in the final pictures, and even to round the corners of the photographs themselves.

“This client came to us with an apartment in the Kips Bay complex designed by IM Pei in the 1960s. We responded by designing a space capsule temporarily docked here on earth.”

“They wanted a home to charge up between missions: a place where every boot and book, every single little thing could be hidden away. They wanted something that would make the most out of their 715 square feet.”

“We measured and labeled the total volume of possessions (569 cubic feet) so we would have the necessary data to design a place for each and every thing to be hidden away.”

“Central to our strategy is a rotating storage wall called the Transformer. By moving a series of translucent sliding panels the floor plan to be reconfigured easily for different levels of privacy.”

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That may all be true, but as the open office trend has grown, so has an entire industry of products designed to correct all of the problems they present for employees who struggle to focus, hear one another, and enjoy any measure of privacy in their distraction-riddled environments.

Sound-dampening privacy pods provide a compromise between the new open office ethos and hallways lined with separate enclosed rooms for each employee. Enter the headquarters of just about any large company today, and what you’ll see is almost certainly a wide open space filled with modular pods designed for small meetings or solitary concentration.

At an office like AirBnb’s San Francisco headquarters, these “pods” might actually take the shape of padded illuminated niches cut into a giant wooden “ship” or house-shaped booths for private phone calls, but you don’t have to have the budget of a multi-billion-dollar corporation to make the concept work for your space.

The “Planet for Two” by Ukrainian design duo MZPA is a portable solution that can be placed in any open space for instant privacy, and it’s cool-looking, too. Built to fit two people (as its name suggests), this geodesic meeting room is made from connected triangles of plywood, powder-coated metal connectors, and a plush fabric mattress in customizable colors. It’s based on a previous design called “The Planet,” which itself accommodates a single user.

The designers envision both of these geometric pods as multipurpose rooms-within-rooms that can be used for meetings, lounging, brainstorming, phone calls, or even in place of a desk for employees who work more efficiently in less open environments. Communication is key in any business, they note, and while open office plans seem like they should foster more of it, too much noise and activity can make people feel like they have to shout over each other to be heard, worsening the problem.

Available for delivery anywhere in the world, the Planet for Two retails for $5,700 and comes with a built-in LED lamp, speaker system, USB charging port for electronic devices, and even a few optional solar panels so you can place it outdoors if you like. It’s easy to imagine these pods fitting right into places like airports, cafés, and college campuses.

“It’s great for moments when you need to stay alone, gather your thoughts and focus, and have a cup of coffee,” say designers Julia Kononenko and Artem Zakharchenko.

More than anything, pods like the “Planet for Two” demonstrate the need for offices to remain flexible to both the diverse needs of staff and changing trends in office interior design. Give your employees enough privacy and quiet, and they might not have to resort to such desperate tactics as noise-cancelling helmets that look like a joke from a comedy set in outer space.

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But surprisingly less luxurious is their former home on the grounds of Kensington Palace, where the couple lived early in their relationship. The realities of living in the “tiny” 1,324-square-foot Nottingham Cottage are revealed in the documentary’s home movie footage.

Affectionally known as “Nott Cott,” Nottingham Cottage is among the smaller houses on the palace grounds, containing two bedrooms, one bathroom, a kitchen, small living spaces, and a petite back garden. Harry first moved into the cottage in 2013, and Meghan joined him in 2017, shortly before the couple’s engagement.

Home movie footage depicts interiors that look cozy and relatable. The proportions are small, the materials similar to those you’d see in any other modest home. The kitchen features a checkered black and white floor, white cabinets, and unremarkable gray countertops. This is where Harry proposed to Meghan while roasting a chicken. The compact living room is featured in a scene in which the couple announces their engagement to the world.

Closet space is apparently tight, as the prince is pictured dressing in his officer’s uniform with a freestanding rack of clothing behind him. In another shot, Meghan stands in the doorway of an apparently carpeted bathroom. “It was just a chapter of our lives where I don’t think anyone could believe what it was actually like behind the scenes,” she said of the couple’s time in the home.

“It is on a slight lean with really low ceilings,” Harry said. “I don’t know who it was for. They must have been short,” Meghan added, “He would just hit his head constantly because he’s so tall.” Oprah was apparently astonished by the size of the cottage when she visited. Harry said, “Well, Oprah came over for tea, didn’t she? And when she came in, she sat down, she goes ‘No one would ever believe it!'”

Nottingham Cottage was designed by architect Christopher Wren for William III and Mary II in 1689. The decor and finishings have changed several times since then, as the cottage was occupied by various generations of royalty. Queen Elizabeth II’s uncle, Prince Henry, Duke of Gloucester lived there prior to the 1950s before it became home to several senior members of the royal family’s staff.

Notably, the cottage was once promised for life to Marion Crawford, a former governess of then-Princesses Elizabeth and Margaret, but her rights to it were revoked after she published a tell-all memoir about the royal family.

Other occupants included Miles Hunt-Davis, the Duke of Edinburgh’s private secretary; Robert Fellowes, Queen Elizabeth II’s private secretary, and his wife Lady Jane Fellowes, who is the older sister of Princess Diana; and Prince William and Kate Middleton, the then-Duke and Duchess of Cambridge, prior to the birth of Prince George. After Harry and Meghan moved out, Princess Eugenie moved in along with her husband Jack Brooksbank and their son August.

As for Harry and Meghan’s Montecito home, where they live with their children Archie and Lillibet, it seems that the couple may find it not quite private enough given their ultra-high profile. Though the seven-acre estate is located off the beaten path about 90 minutes north of Los Angeles (near the estates of Oprah Winfrey and Ellen DeGeneres), the family still has trouble with trespassers and paparazzi.

Realtor.com reports that police were called to the residence nine times in nine months, once resulting in the arrest of a man named Nickolas Brooks, who drove over 2,300 miles from Ohio to intrude on the property. Next up for Harry and Meghan might be a more secure residence within a guard-gated community.

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Freestanding Tubs

Clawfoot cast iron tubs will never go out of style, but the builder-quality jetted soaking tubs seen in many homes are getting a little tired. Often built into tiled surrounds, these behemoths are just as ugly as they are difficult to clean. This year, more people will go for reasonably sized freestanding bathtubs in interesting shapes to make their bathrooms feel more spa-like. Translucent tubs and Japanese-style soaking tubs are standout options, like this striking red tub from Cassa Design.

Cozy Colors and Bold Prints

Painting the entire bathroom white can go a long way toward making it feel fresh, but there’s a serious downside in all that visible dirt. It’s also kind of boring. Cozier, warmer color schemes will replace this outdated trend in 2023 to make the bathroom feel more comforting. Olive green, peach, and rich earth tones are among the top colors that will gain popularity this year, along with boosting the personality factor through wallpaper.

Modern stick-up wallpaper is much easier to put up and take down than its predecessor, and it’s available in virtually every print and color you can imagine on Etsy. For more traditional styles, you can’t go wrong with William Morris. This dark botanical print is from Etsy seller Los Angeles Wallpaper.

More of Your Personality

Bring warmth and personality to your bathroom with decor like antique furniture, window treatments, oil paintings, and other statement-making pieces. Some people are even adding rugs (just not too close to the toilet, of course). The idea is to decorate the bathroom more like you would the other rooms in your home instead of keeping it so sterile. Bringing in elements that really speak to who you are will not only make your bathroom more interesting to look at, it’ll also make it feel nicer to be in. Large artworks and a textural vase do just that in this bathroom by designer Sean Anderson.

Artistic Tile

Textured, decorative tile will be a hit in 2023, along with mosaics and other custom patterns. Try mixing and matching tile patterns, finding handmade options that feel really unique, or creating eye-catching geometric patterns. Terrazzo continues to be on the rise, bringing in a lot of fun speckled textures while remaining easy to clean. It often comes in large-format sizes, too, so there’s less grout to deal with. This gorgeous installation was created by designer Jamie Drake in collaboration with Cheryl Hazan Mosaic.

Mix of Old and New

Bathrooms where everything is brand new and matchy-matchy can feel a little soulless. On the other hand, you also don’t want it to feel like a time capsule. Go for a sweet spot in the middle by mixing old and new elements. For example, an antique commode is a great replacement for a vanity from a big-box store. Ornate mirrors and lighting also pop in small spaces. Here, designer Andrea Schumacher turned an old chinoiserie cabinet into a washstand with the addition of a marble waterfall top.

Statement Stone

Big slabs of statement stone also rank among this year’s top bathroom decor trends. The more dramatic, the better. It might come in the form of a bespoke vanity top, a backsplash, shower walls, or even flooring. Natural materials are preferable if possible, but you can get a similar look with materials like travertine and eco-stone. This dramatic wall is made of Elite Stone’s Calacatta Borghini Imperiale paneling.

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Set within the city’s High Fashion District, the industrial club has plenty of interesting things to look at, not the least of which is the 01, a compact crossover plug-in hybrid featuring a 177-horsepower, 1.5-liter gas engine and an 80-horsepower electric motor. Though it’s available for purchase, the main appeal of the 01 is Lynk & Co’s monthly subscription service, which grants you use of the vehicle whenever you need it without worrying about things like insurance and maintenance. The car can also be borrowed for shorter periods. It’s designed to appeal to a broad range of tastes, and it offers all the functionality most people need in an urban vehicle.

A partnership between Chinese company Geely and the Swedish Volvo, Lynk & Co knew that people curious about renting or borrowing the 01 vehicle would want a chance to see it in person, but they didn’t want it to feel like visiting your neighborhood Toyota dealer. They decided to bring the car to the people who will use it most — those located in large cities — instead of opening a larger public facility in a more suburban location.

Designed in collaboration with Gothenburg-based studio New Order Arkitektur, the company’s Milan location is the tenth such club to open in the past few years. The interiors repeat some motifs like a cocktail bar and a signature mustard yellow sofa, but it also boasts elements that are distinctly Milanese. A neon “whirlpool light” wraps around a column in the center of the mostly concrete space, which is also outfitted with stylish furniture, a curving lamppost sculpture by local brand Seletti, and the Lynk & Co 01 set under a skylight.

The Tarot Room offers guests a chance to look into the future, and the Candy Shop Toilet encloses sweets within glass tubes, with everything else in the restroom painted a lurid pink. The company’s commitment to sustainability is also on display in the form of recycled materials and objects for sale that hew to the same vision (like Triwa watches with recycled plastic straps). A wood-clad meeting room is lined with reproductions of famous Milanese art. Runways also weave through the space, paying homage to Milan’s reputation as a center of the fashion world.

Previously, Lynk & Co opened a second club in Barcelona designed by Masquespacio. That space was designed to evoke “a world of utopias,” drawing in curious passersby on the well-trafficked Paseo de Grácia with big, colorful sculptural elements visible through the front windows. Other clubs are located in Gothenburg, Antwerp, Rome, Berlin, and Amsterdam, with a new location coming soon in Dusseldorf. Lynk & Co seems to be focused on Europe for now, but CEO Alain Visser has said the company sees market opportunities in U.S. states like New York and California.

“Being present in Milan means not only being part of a beautiful city that renews itself on a daily basis, but it also means entering a fabric where the community that lives there pulsates with ideas: with our club and the events we will organize here,” says Visser. “We want to give space to all those people who want to change their concept of mobility and lifestyle. It’s important to have fun while driving towards a more sustainable future.”

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A decade after they designed the canteen within the building, designers Roelof Mulder and Ira Koers returned to come up with a mobile furniture solution that’s also every bit as elegant as the architecture demands (because let’s be honest, folding chairs were never going to cut it). The duo’s mobile bamboo work islands fit together like puzzle pieces and include cutouts for massive potted plants and trees to make full use of the room’s grand scale.

The 12 units are set on wheels so they can easily be rolled into various configurations or out of the space altogether. Once pushed into place, they appear to be one large workspace combining comfortable couch-like upholstered seating with large platforms that can be used as desks. There’s no one correct way to orient them, so the spaces within can be spontaneously created as desired. They’re often arranged symmetrically, with an opening in the center so that users can nestle within the living greenery in chairs or at small café-style tables.

Made of durable bamboo, the mobile work islands are equipped with bumpers so they can be shifted around safely. The same semi-circular cutouts that wrap around the potted plants when they’re placed in the center of the room can also accommodate the giant beams along the perimeter. When the units are pushed to the edges, they maintain seating while offering a large open gathering area in the center.

The greenery adds privacy, dampens sound, and changes the overall mood of the room. What could feel like an overly large space full of echoes becomes intimate and comfortable, creating new vantage points from which to admire the hall’s many brick arches opening to other spaces. Mulder and Koers eliminated some existing curtains and frosted glass in the hall to encourage more open lines of sight and views of the city outside.

Keeping the use of this central hall flexible pays tribute to the building’s long and varied history. First built as a Catholic orphanage in 1780, it was converted into a bank in the 1960s. What was then an open central courtyard was roofed over to create the hall as it is seen today. That same decade, the Maagdenhuis became the administrative center for the University of Amsterdam, the site of historic student protests in 1969.

With Mulder and Koers’ mobile work islands, the Maagdenhuis atrium remains open to evolution, responding to whatever needs the University might have. The design duo recently created a similarly lush planted courtyard effect in the central hall of the in The Netherlands’ Dijklander Hospital, updating the original 1980s design by Jan Tennekes with a modern aesthetic that “resuscitates it with biophilia.”

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All About Sage Green

Image via Studio McGee

Muted colors are coming in like a warm blanket to give our interiors an ultra-calming vibe, and none are looking more popular for 2023 than sage green. This soothing, slightly dusty hue works for contemporary and antique design styles alike, pairing beautifully with just about everything — including black, white, and natural wood tones.

Finding Meaning

This past year was dominated by eclectic, maximalist interior design trends, with designers buying all kinds of attention-drawing objects to place on clients’ their tables and shelves. As we move into 2023, the process of choosing those objects is becoming more intentional. Instead of random trinkets, people are choosing items that resonate on a personal level for their homes. Perhaps that’s an antique passed down from a relative, a gift from a friend, or an object that reminds you of a favorite memory.

Arches and More Arches

Image via Vaunt Design

Hallways, doors, shower niches. Arches are coming back in a big way in 2023, building on the curved furniture trends we’ve seen in previous years. More recently, they’ve taken over luxury commercial spaces like hotels and designer retail stores. We’ll soon see homeowners renovating their interiors to achieve a similar effect.

Multi-Use Rooms

Modern life can change in the blink of an eye, so we could all use a little more flexibility. Perhaps one day you want to use that little corner of your living room as a music listening area, and the next day you want to use it as a home office. Perhaps your extra room needs to work for both yoga practice and a guest space. Adaptable furniture and multi-use setups are a top priority nowadays, so it’s time to get creative to make the most of our spaces.

Natural Stone

Image via Lynn Byrne

Bold, textural, and evocative of nature, natural stone is never really out of style, but be on the lookout for interiors using it in a whole new way next year. Designers are using stone slabs with interesting colors and patterns as backsplashes, countertops, bathroom floors, and even ceilings.

Small Luxuries

Maybe you can’t afford that one-of-a-kind sculptural sofa on 1stDibs, but it’s not as much of a stretch to save up for an amazing table lamp or an original work of art. These kinds of small-scale luxuries can make a big impact in a space, especially if you make them a focal point. When possible, it’s nice to invest in higher quality and handmade pieces instead of mass-produced “fast furniture” objects and decor, most of which fall apart after just a few years.

Restoring Thrift Store Finds

Image via A Ray of Sunlight

Thrift stores are full of items that have tons of potential, if only you can see past their current condition. Sometimes all it takes is a little elbow grease, polish, paint, or new hardware to give a junky-looking piece a whole new life. The process can be a lot less involved than you imagine, even if you don’t have a lot of experience. Pinterest is packed with DIY thrift store furniture projects you can browse for inspiration.

A Balance Between Minimalism and Maximalism

Minimalism was king for a long time before maximalism swung in like a wrecking ball to shake things up. But the reality is that most people’s preferences lie somewhere in the middle, and we’re starting to see that reflected in higher-end interior design, too. That means one thing you’re doing is on-trend without you even trying. Congrats! In the coming year, we’ll likely see a lot more professional examples of well-balanced spaces to give us inspiration for our own homes.

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From the outset, the MO Bakery owners knew they wanted a space that presented their baked goods as the stars of the show, highlighting them like precious jewels in a display case. Masquespacio honed in on water as a theme after realizing it’s one of the main ingredients in both baked goods and coffee, dividing the space into three different areas that each represent a different phase in the process of baking and brewing.

The first zone is dedicated to the liquid state, where water makes the dough start to come together. Next is the bar zone, where a massive waterfall-like installation made of sandblasted glass tubes hovers overhead. The front of the bar features the “solid-state” zone, with lamps representing ice. The third zone is the “gaseous state,” where a series of fire bulbs represent the moment when the pastry is baked in the oven.

Throughout the interiors, custom seating ranging from low lounges to high stools offers comfortable vantage points to take it all in. The various metallic finishes were designed to generate reflections mimicking the distortion that occurs when viewing objects through water. The scale of the space encourages people to stay a while, gazing up at everything and taking in the scents of the bakery’s goods.

“On the other hand, the lighting incorporates fully controllable RGB lighting to set moods that could convert the space to a different status, being able to represent a ‘different space’ within a space, in campaigns, engagements, or talks, which is also extended by the reflections of the space in chrome fabrics, tables, and spheres [that create] another level of optical fusion,” say the designers. “This space is not solid. It is interchangeable and dynamic following what the brand has to say. Welcome to the new mood branding.”

With decor and lighting that moody, the MO Bakery almost feels like a bar or nightclub instead of a daytime-oriented café. Which begs the question: why don’t we have more cool spaces to hang out in that aren’t bars or nightclubs? Masquespacio is onto something here.

MO Bakery wanted to stand out from its competition, and it’s probably safe to say they’ve successfully done so with this imaginative interior design. Check out three previous projects that capture Masquespacio’s creative approach to design: a vivid and playful Mango teen store in Milan, Italy; a lavender-hued sunglasses store in Bogotá, Colombia; and a pastel Bun burger restaurant on Milan’s Via Dell’Orso.

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Located inside LA’s Westfield Century City shopping mall, the SKKN pop-up displays small cylindrical and spherical products on huge slabs of cement and alcoves in the smooth, bare walls. Perron-Roettinger co-founder Willo Perron says he drew inspiration from rock quarries when designing the 1,330-square-foot space, bringing in large-scale shapes meant to evoke massive chunks of raw minerals. Instead of contrasting with the products, the setting amplifies their simple, elemental forms.

If the products are a little mysterious, that’s because they’re meant to be. Perron-Roettinger created opaque containers that obscure their contents, with labels like “face cream” and “exfoliator” printed in tiny, barely legible text. The refillable containers are also housed within secondary packaging that’s textured to resemble naturally occurring materials.

“We like how it feels to hold a ceramic mug, the natural color of a clay pot, what it feels like to run your hand through sand, and all the different shades and textures of limestone quarry,” Perron-Roettinger co-founder Brian Roettinger told It’s Nice That.

Staying within the same limited gray and beige color palette, Kardashian’s SKKN Home Accessories Collection is also on display at the LA pop-up. The five-piece houseware collection aims to capture the “calming aesthetic and neutral color palette of Kardashian’s home.” All made of hand-poured concrete, the collection consists of a vanity tray, spherical storage container, waste basket, tissue box, and a canister with a lid.

“I knew I wanted to complement my skincare collection with home accessories, designed to display my products and elevate the home with modern, minimalistic elegance,” Kardashian says. “When designing this collection, I wanted to bring the monochromatic interior design elements from my home to others. I’m excited to be able to share this collection with everyone.”

The SKKN pop-up shop will remain in place until the end of the year. As stark as the interior design and products may be, there’s no confusing the store for that of any other brand. Two enormous digital displays splashed with Kim’s face bookend the space, reminding shoppers what they’re really there for: a little bit of bottled essence du nouveau riche.

Willo Perron previously designed a pop-up store for Kardashian’s brand of undergarments, SKIMS, in 2021. Located on the ground floor of the Parisian department store Galeries Lafayette Paris Haussmann, the store was similarly smooth, beige, and low on embellishments, but drew inspiration from the hues and curves of human bodies instead of stone. The same design was repeated for a second pop-up store in Los Angeles later that year.

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Enter Taylor Swift’s former New York residence, a charming carriage house in Greenwich Village which the songstress rented as recently as 2016. Situated in one of NYC’s most iconic neighborhoods, the five-story former pop palace is perhaps most famous as the subject of her song “Cornelia Street,” in which she refers to the early days of her relationship with the actor Joe Alwyn. The townhouse is situated on the quaint (you guessed it) Cornelia Street near Washington Square Park. At the time of Swift’s living there, it was owned by former Soho House executive David Aldea, who according to Vulture didn’t even know who Swift was when she asked to rent the property while renovations were being made to her own Tribeca apartment.

Upon first glance, 23 Cornelia Street is easily overlooked from the street. With an unassuming brick facade and wooden doors, the property doesn’t exactly scream “glamour.” Swift herself supposedly chose the townhouse because of its private garage, through which she could enter and exit in relative peace (though devoted Swifties naturally discovered where she was staying at the time).

Built in 1899, the historic home is a sprawling 5,500-square-foot dream of luxe grandiosity and glam touches that are very fitting for a star of Swift’s caliber. The basement alone is an airy, seemingly sky-high ceilinged lounge complete with a queenly glass chandelier, a private garden, indoor pool, and gym area. But it’s the townhouse’s living room which undoubtedly holds the most appeal for fans, as it’s featured in a video Swift posted of herself at the time writing the song “King of my Heart.”

During her tenure at 23 Cornelia Street, Swift reportedly used up the entire home, which boasts a total of four bedrooms and six bathrooms. It’s hard not to picture her using the sumptuous primary bedroom, complete with a small terrace and free-standing bath, or spending time on the rooftop terrace with her beau (as she sings in “King”: “With all these nights we’re spending/Up on the roof…”).

The home most recently sold in 2019 for a whopping $11.5 million. Today it’s unoccupied by residents, but instead serves as a “corporate house” for the Italian furniture company Zanotta. Any fans dying to get a glimpse into the pop star’s former abode can still book a tour hosted by the New York Junior League (NYJL). The female-led organization recently hosted a Fall House Tour and is planning another one in Spring of 2023, so make sure to mark your calendar if you’re a Swiftie!

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