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<title>Impossible Installations: Massive Fake Art Exhibitions | Designs &amp; Ideas on Dornob - Feed</title>
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		<title>Impossible Installations: Massive Fake Art Exhibitions</title>
		<link>https://dornob.com/impossible-installations-massive-fake-art-exhibitions/</link>
				<pubDate>Thu, 02 Jul 2009 17:00:00 +0000</pubDate>
		<dc:creator><![CDATA[Dornob Staff]]></dc:creator>
				<category><![CDATA[Art & Design]]></category>
		<category><![CDATA[Photography]]></category>
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		<guid isPermaLink="false">http://dornob.com/?p=4815</guid>
				<description><![CDATA[<p>Actual art installations are often surreal enough in real life, but this meta-art of David Michele&#8216;s Pseudo-Documentary series takes the idea of gallery exhibitions to entirely new levels. Addressing &#8220;issues of abstraction, conventions of documenting art, and the ideology of the gallery space,&#8221; these massive photographic prints show unlikely-but-possible uses of monumental-but-unreal art galleries &#8211; [&#8230;]</p>
<p>The post <a href="https://dornob.com/impossible-installations-massive-fake-art-exhibitions/">Impossible Installations: Massive Fake Art Exhibitions</a> first appeared on <a href="https://dornob.com">Dornob</a>.</p>]]></description>
					<content:encoded><![CDATA[<p><img fetchpriority="high" decoding="async" class="alignnone size-full wp-image-4826" title="photographic-faux-documentary-art" src="https://dornob.com/wp-content/uploads/2009/06/photographic-faux-documentary-art1.jpg" alt="photographic-faux-documentary-art" width="468" height="335" /></p>
<p><!--wsa:gooold-->Actual art installations are often surreal enough in real life, but this meta-art of <a href="http://cola2009pressroom.wordpress.com/2009/02/01/david-dimichelle/">David Michele</a>&#8216;s Pseudo-Documentary series takes the idea of gallery exhibitions to entirely new levels.</p>
<p><img decoding="async" class="alignnone size-full wp-image-4817" title="photographic-pseudodocumentation" src="https://dornob.com/wp-content/uploads/2009/06/photographic-pseudodocumentation.jpg" alt="photographic-pseudodocumentation" width="468" height="421" /></p>
<p>Addressing &#8220;issues of abstraction, conventions of documenting art, and the ideology of the gallery space,&#8221; these massive photographic prints show unlikely-but-possible uses of monumental-but-unreal art galleries &#8211; rooms filled with shards of glass or giant piles of salt and coal.</p><div class="newsletter-inline-wrapper-article">
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<p><img decoding="async" class="alignnone size-full wp-image-4824" title="photo-faux-installation-art-concept1" src="https://dornob.com/wp-content/uploads/2009/06/photo-faux-installation-art-concept1.jpg" alt="photo-faux-installation-art-concept1" width="468" height="244" /></p>
<p>What is most fascinating about his work is that it arguably accomplishes the same effects of art installations with far greater economy &#8211; as a work itself on a wall rather than construction-intensive infill. Moreover, liberated from practicality and safety concerns, he can also take things a step further than most installation artists can even consider.</p><p>The post <a href="https://dornob.com/impossible-installations-massive-fake-art-exhibitions/">Impossible Installations: Massive Fake Art Exhibitions</a> first appeared on <a href="https://dornob.com">Dornob</a>.</p>]]></content:encoded>
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