House N Sou Fujimoto

After covering his puzzle-piece cliff-side retreat and writing about his absurdest house stacked from homes it would be unfair not to step back and see a classic by Sou Fujimoto: House N, the see-through home.

House N Sou Fujimoto window cutouts
House N Sou Fujimoto living trees

Difficult to describe but beautiful to behold, this bright white wonder consists of a series of three perforated shells, one within the next, that grant privacy when contiguous or properly overlapped, while allowing light, air and views through in calculated ways. The architect calls it a “gradation of domain,” which makes sense when you see how you move through the house to varying levels of privacy.

House N Sou Fujimoto exterior courtyards
House N Sou Fujimoto three shells

Layers of light and square shadows dance across the walls and jump from one opening to the next, creating an ever-shifting composition of illumination against the ever-bare walls both inside and out (if the distinction is even relevant in this case).

House N Sou Fujimoto white room
House N Sou Fujimoto ceiling

From the architect: “I have always had doubts about streets and houses being separated by a single wall, and wondered that a gradation of rich domain accompanied by various senses of distance between streets and houses might be a possibility, such as: a place inside the house that is fairly near the street; a place that is a bit far from the street, and a place far off the street, in secure privacy.”

House N Sou Fujimoto indoor outdoor

“That is why life in this house resembles to living among the clouds. A distinct boundary is nowhere to be found, except for a gradual change in the domain. One might say that an ideal architecture is an outdoor space that feels like the indoors and an indoor space that feels like the outdoors.”

House N Sou Fujimoto bedroom
House N Sou Fujimoto exterior

“In a nested structure, the inside is invariably the outside, and vice versa. My intention was to make an architecture that is not about space nor about form, but simply about expressing the riches of what are `between` houses and streets.”